FMP BOOK ANALYSIS

My books arrived earlier today a lot quicker than expected as they had only been sent off for printing two days prior to this. I was initially a little disheartened by the aesthetics of the book as the cover was a lot thinner than I had hoped for, meaning that the book was flimsy rather than of a sturdy feel that a usual coffee table book possesses. After speaking with mentors and asking for the opinions of many individuals in and out of creative backgrounds, I received positive feedback on the finished product despite my disappointment. After leaving the books for a while and then returning later on the review them again, I have been able to understand that the design and aesthetic still works as it is the content within the project which is the most important aspect.

By immediately drawing the readers attention using a design similar to the Facebook logo, it gives context as to what the project will be about once the viewer continues to read on. The choice of 130GSM silk paper worked well as light does not reflect from the pages and cause a glare - this would have caused the reader to be unable view the images to their full potential. The text that I have used throughout the publication is clear, precise and to the point, sharing personal opinions and anecdotes about my social media obsession and dependency, while also asking questions as to why this is happening, how it is making me feel and what I could  be done to prevent this, which keeps the reader intrigued and wanting to read on.

The layout and design throughout has allowed a professional image to be achieved that is of an industry standard. Placing minimal images on each page allows the intricate details to be easily absorbed by the viewer. Being able to focus on a single image, surrounded by white space, rather than be distracted by a plethora of colour.    

My favourite aspect of the book is the conceptual idea of  ‘everything you post online, is with you forever’. The lighting and mood within the images work so well together to encapsulate the seriousness of this issue. I wanted the images to have a darker aura to them than the others within the publication as they could have the most detrimental  implications and consequences.

I’m extremely pleased with the final outcome of my project ‘Delusive’, as I feel it is a true representation of the issues that I am currently facing as a result of my excessive abuse of  social media platforms. Through the use of myself within the project, the creative boundaries were able to be pushed to the limit to make the project as subjective and relatable as possible.By visually portraying the negative impacts of my social media dependency through this creative publication I have been able to  subtly express my feelings and experiences as well as translating a personal messages across to the viewer. If not only being able to reflect on the impact these issues are having on my life as the ultimate aim, but also subconsciously making others review the effects social media could be having on their lives too.

PRINT SPECIFICATIONS

To ensure that things would run smoothly went the printing stage was here, I took the decision to plan ahead all of the possible mishaps that could happen that may slow down the production of my publication and try and find appropriate solutions beforehand. I contacted my chosen printers - solopress.com - to find out all of the specifications that I would need when creating my file in Indesign. I also asked for information on delivery methods, times, production costs, etc. all so that I could feel prepared mentally. 

As the printing is out of my control, I felt at ease asking a great number of questions, as it allowed me to feel included within the process. At this stage I was still unsure on the sizing I wanted to book to take. Having stated within my proposal that I wanted a small A5 sized book, I had begin to doubt this after looking around at other books that were available on the market.

I found it useful asking other creatives on their personal preference of book sizes, as it enabled me to gain some market research which is useful to have when creating something that could potential go on to be sold within the future. One of the mentors Sharon, gave the most helpful feedback, opening my thoughts into producing a final outcome that was in-between standard book sizes. I had totally overlooked this idea and am grateful for her bringing it my attention.

I searched the university library, looking for art and photography books that I could draw some inspiration from. I found the book 'TAL UF TAL AB' by Robert Frank, a photography publication. I really loved the layout of the images and the way in which an equal amount of white space could be found around each image, no matter photo size. I have shown a few of my favourite page designs below to explain the ways in which I will showcase my ideas within Delusive.

I have decided to use the same proportions as the book I found in the library within my own work, as I felt the outcome looks professional and is different from others on the market so it gives an extra flare and edge that may not have been achieved with a standard book size.

Height : 250mm

Width : 205mm

After speaking with solo press again over the phone they agreed to send me a sample pack of the various papers they have available to print on. At First I preferred the finish on the 130GSM Gloss paper, as it was light and shiny, however after referring back to the art book inspiration I was able to make a perfect match to the paper used as it was 130GSM silk. 

The silk finish on the paper works best with photography as there is no light glare that reflects from the page to the viewer.

The final paper specifications that I will use will be:

Cover : 250gsm silk

Pages : 130gsm silk

NAME & LOGO

I wanted a name for this project that was small, to the point and catchy. I already had the idea to produce a logo for the book inspired by the Facebook logo as it is a universally known image and it relatable to everyone. This will ensure that the reader will gain some background knowledge on what the project is abased around from the title alone.

I was undecided on three name options:

Misleading

Delusive

Behind Online

After careful considerationg and feedback from individuals around me, I chose Delusive.

‘delusive

dɪˈluːsɪv,-ˈljuː-/

adjective

adjective: delusive

1 giving a false or misleading impression."a delusive perception of opportunity for all"

2 synonyms:

3 misleading, deceptive; More’

I received feedback on the name, from my mentor Jennifer, who also agreed that it was catchy and most importantly made sense.To create a professional logo I researched into the specific fonts and pantone colours that Facebook uses within their social media platform and  successfully found the exact matches.

To create a professional logo I researched into the specific fonts and pantone colours that Facebook uses within their social media platform and  successfully found the exact matches.

The next challenge, was deciding the layout and design on the font that was the most pleasing on the eye. I had four options to choose from, three consisting of text alone and two incorporating further face boon logo inspirations. I found it difficult to choose between the current and previous design of the social network, however after deliberating with Jennifer again on what would work best for the project, we both agreed that I should keep the project, including the logo totally current.

LOGO EXPERIMENTATION:

As a result of all this, I not have a complete final logo. After showing various creatives the final outcome, I have received feedback that it has a corporate 1990’s vibe to it, similar to the times when the internet was just being introduced to the world. This was a completely coincidental accident which I guess has worked in my favour! 

CHOSEN LOGO:

FINAL SHOOT NO.6

SOCIAL MEDIA DEPENDENCY

I was able to show the extent my social media dependency has reached through these Petra Collins inspired concepts using photography on location within my own home. Successful and natural looking images were produced as I was able to place myself within actual situations that I would normally be in while the photographer captured the moment. It was a little awkward to begin with, as it felt odd to pretend that the someone wasn't there taking pictures of me, however once I felt comfortable it became an easy process.

I dont feel as though there is any need for post production on these images, as I cant seem to find any flaws that I wish to change. The natural lighting that was achieved in my bedroom works well to replicate the fly on the wall style of photography that Petra Collins uses, allowing highlights and shadows to fall in the right places and create the desired moody/dramatic finish to the pictures.

Without being too obvious, the images show how I am constantly scrolling through my social media apps on my mobile phone from the moment I wake up and even while using the same social website on my laptop. The idea is to make the reader wonder whether I should go outside and contact people in person rather than through a computer screen and I feel that this has been achieved because of this.

FINAL SHOOT NO.5

THE TRUTH BEHIND THE SELFIE

These images are a huge improvement from the test shoot I conducted a few days ago. I managed to book a longer slot within the studios, acquired help from a friend with adequate photography experience and felt totally comfortable being experimental with poses and ideas in front of the camera as a result of this. 

After speaking with John Whalvin, he cleared up all of the issues I had deciding on the best post-production techniques to use that would help create the best outcome for the concept. He explained that I  was following the correct technique within the test shots practice, however he advised me to erase the rear image from behind the front one to that it gives an opaque finish. This was a tedious process that took a great deal of time, however I feel that is has paid off by using this technique as the layers that are showing the unhappy emotion are slightly more prominent.

I prefer the first image shown compared to the second, as the poses work well together. The positioning of my lip in the second looks a little awkward, which draws me attention away from other aspects of the image. This isn't the intended focus of the image, so I don't think I will be using it within the final production because of this reason.

SOCIAL MEDIA GLITCH CONCEPT

Continuing on from the glitch idea and outcomes that were produced from within the studio, I chose to experiment further using actual real life social media posts that I have shared online. Firstly I wanted to use selfies that I have posted to work onto with pixelated layers as a representation of how the posts I share are doctored to fit the specifications and preferences that I wish people to see, therefore my real identity is masked behind this false perception of myself.

I think that the idea works well, however I don't think that these images are as strong as some of the other conceptual ideas that I have produced. If these were to be included within the publication they might detract from the high quality and professional standard that I have been able to maintain so far. To gain a second opinion on this, I met with Jennifer who also agreed with these thoughts, expressing that they had no substance in relation to everything else I had already portrayed within the advancement of the project so far. 

The same concept was used on further photos that I had shared online such as location snaps and food orders. I think that these work a lot better than the previous selfie images as they are random snapshots from my day-to-day life that followers are more than likely just going to scroll past and not pay any attention too. 

Admittedly this concept isn't as strong as some of the previous ideas such as the tattoo concept and influenced identity idea, however I do feel as though these images enhance the overall topic I have chosen and gives the reader further context into how online and by abuse of social media use is slowly taking over my reality. A question that I have already asked within this project is whether  I have been posting context for the benefit of my followers or whether I am just searching self validation. I feel that these images give this point a lot more context, as they give an insight into the things I personally want to share with my followers aside from selfies that allows the reader to see parts of my personality.

FINAL SHOOT NO.4

 INTERFERENCE OF REALITY

The concept of the glitch art is to represent how I am spending so much time online that I am forgetting about reality and could be missing out on real life experiences as a result of this. The idea is to show that online and actuality is blurring into one and I am losing the boundaries that were once so clear. These three images below were a huge inspiration for the post-production elements as I felt that they fit my personal thoughts of what a glitch looks like.

From left to right:

https://uk.pinterest.com/pin/450852612676892567/

https://uk.pinterest.com/pin/450852612676902825/

https://uk.pinterest.com/pin/450852612676902830/

Following the previous experimentation of creating glitch-like images, I was able to produce successful outcomes to include within my final project. As explained before, finding photographers has been a recurring issue, however a friend of mine  who has acquired photography skills through practicing the art as a hobby agreed to help me within the production of this concept if I agreed to set up the studio space accordingly. This worked well, as I had the studio knowledge from previous experience within university and the images that I was looking to produce within the studio time were very simple as I was planning to experiment and distort them further within photoshop.

I have learnt to adapt very well to last minute solution making as it has happened so often within the production time. At first I thought that it was my fault and it was happening because of poor planning techniques, but since reviewing this I have come to the conclusion that there is simply nothing I can do as these matters are simply out of my hands. Learning to rely on myself and my decision making when put on the spot has been successful each time, so I believe that it has worked as a positive for my project as it has allowed me to blossom as a creative director, giving me the opportunity to work under pressure effectively and in a professional manner.

The use of colour as the backdrop and within the styling worked well when altering the colour balance and the hues of the second and third images to create a fluorescent and gaudy effect. By adding layers of the image and then using noise and pixelated filters, the glitch effect was created. I then used the liquify tool to smudge the edges to finalise the images. I prefer the overall look of the last two images as they have a more prominent finish to them which fits the concept appropriately as the images need to be as bold as possible so that the concept of glitch art is representable and can be interpreted easily by the viewer. Although the first image is aesthetically pleasing, it doesn't capture enough attention as I wish the images too. Personally glitches and online interference make me feel uncomfortable when looking at them on a screen. They are a nuisance and they are awkward, so when judging the successfulness of the outcomes, if I didn't feel those feelings when viewing the images - which I didn't with outcome number 1 - I deemed them unsuccessful.